Edited by
Folkert, Atley and Will

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By placing paint on photographs, with all their random and involuntary expressiveness, Gerhard Richter reinforces the unique aspect of each of these mediums and opens a field of tension rich in paradoxes, as old as the couple – painting / photography –which has largely defined modern art. —Centre de la Photographie, Geneve















Related: Paul Jenkins, Antony Hegarty


Atley